PUBLICATIONS
 
click on underlined text to view  some articles  and videos on line
2021
Art Review City, Q and A with David Carbone, April 27.
Artcritical, Intimate Immensity: Maria Helena Viera da Silva , (February 10).
2020
JoAnne Carson: Rise and Shine, JoAnne Carson:Tracing a Gardener's Path, The Opalka Gallery, Sage College, Albany, NY
Artcritical,  In the Company of an Estatic: Hyman Bloom in Boston,   (February 14).
2019
Bruno Civitico: 40 Years of Figure Drawings, Bruno Civitico's American Classicism, The Bo Bartlett Art Center, Columbia, GA
2017
The Art Newspaper, quoted in: Obituary: Vito Acconci, by David D'Arcy, June 2017, page 70.
Hyperallergic, Timothy Hyman's Alternate View of Figurative Painting in Art History, March 25.
2015
The International Review of African American Art, Lifting the Fog, (on Norman Lewis 1946-52), pp. 19-21,Vol. 26 No.1 [The editing of this piece mis-identified a key work discussed, in MOMA's collection as as City Night (1949), when it was another, Untitled (1949). They also made a mess of my notes.]
Artcritical, Standing in the Shadows: On Seeing Andrew Forge and Hearing Morton Feldman, (August 14).
2014
2013
Artcritical, Cats and Girls: Roundtable on Balthus at the Met (edited by David Cohen, with David Cohen, Duncan Hannah, Denis Kardon, Christina Kee, Vincent Katz, and Nora Griffin, December 23).
 

2011
 
video
2010
A Delicate Poignancy: Langdon Quin’s Paintings, 1990-2010, catalog essay for the retrospective exhibition: Acts & Memory: Paintings by Langdon Quin, Museum of Art, University of New Hampshire, Durham, NH
 
2009
The Sienese Shreder III, John Graham’s Apostasy, essay, New York.
 
2008
Gabriel Laderman: Unconventional Realist, a selective retrospective, Gabriel Laderman: An Unconventional Realist, catalogue essay, University of New Hampshire, Durham, NH.
The Sienese Shredder I, Tracing Giovanni’s Shadow, essay, New York.
 
2007
The Sienese Shredder I, On Seeing Nadelman’s Standing Male Nude, essay, New York.

2005
Perception and Invention: Three Generations of Figurative Artists, Perception and Invention: Four Painters Talk About Figurative Art, catalogue essay.

2003
Modern Painters: Edwin Dickinson: A Transcendental Vision (Fall).

2002
Paul Resika: Between Boats and Triangles, essay in Hackett-Freedman Gallery catalogue.
London Arts Café, a magazine on urban art and architecture, essay, Returning Home (9/11) (Fall).
Modern Painters, The Return of the Mad Mahatma [on Louis Elschemius] (Winter).

2000
Modern Painters, Quoted in article, Leonardo's Ghost: 'The Last Supper, peeled', By Trevor Winkfield, Modern Painters, autumn.

1997 Modern Painters, The Subject Matter in View [on Barnet Rubenstein] (Autumn)
Tatistcheff and Company, Inc., Gabriel Laderman's New Works, catalog essay
Hackett Freedman Gallery, Alfred Russell: Painter of Panic, catalog essay
 
1996
Quoted in article, Pop Corn: Art goes to the Movies by David D'Arcy, Art and Auction (October).
 
1992
Art and Antiques, Alfred Leslie at Barbara Flynn (April)
 
1991
Art and Antiques, Carlo Maria Mariani at Hirschl & Adler Modern (January)
Art and Antiques, Eugene Leroy at Edward Thorp (March)
Art and Antiques, Susanna Jacobson at Washington Depot (April)
Art and Antiques, Jim Nutt at Phyllis Kind (September)
Modern Painters, Alfred Russell (Fall)
 
1990
Art and Antiques, Francis Bacon at the MOMA (September)
 
1986
Provincetown Arts, Artist’s Statement (Fall)

1982
Boston Now: Figuration, Institute of Contemporary Art, Boston Catalog Artist’s Statement

1980
Antaeus (Autumn, Issue 39), The Field Beyond Chassy, Balthus’ Grand Paysage Aux Arbres.
Art New England, Barnet Rubenstein at Alpha Gallery (November).

1979
Annex Press, Extended Credentials, an essay on conceptual artist Jay Jaroslav,(Ann Arbor, Michigan).

1978
Arts Magazine, James Weeks Retrospective (April).