PUBLICATIONS
2011
2005
2003
2002
1997 Modern Painters, The Subject Matter in View [on Barnet Rubenstein] (Autumn)
Tatistcheff and Company, Inc., Gabriel Laderman's New Works, catalog essay
Hackett Freedman Gallery, Alfred Russell: Painter of Panic, catalog essay
1982
1980
1979
1978
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2023
Geoffrey Dorfman: The Antikythera Paintings, Moss Galleries, Portland, Maine.
2022
Seeing Like an Artist, What Artists Perceive in the Art of Others, by Lincoln Perry,
Godine Press, Boston. ( Featured in the chapters: An Epiphany in Munich and Multiplicity).
2021
Artcritical, Ironic Realism: The Larry Day Retrospective in Philadelphia, (December 16).
Art Review City, Q and A with David Carbone, April 27.
Artcritical, Intimate Immensity: Maria Helena Viera da Silva , (February 10).
2020
JoAnne Carson: Rise and Shine, JoAnne Carson:Tracing a Gardener's Path, The Opalka Gallery, Sage College, Albany, NY
Artcritical, In the Company of an Estatic: Hyman Bloom in Boston, (February 14).
2019
2023
Geoffrey Dorfman: The Antikythera Paintings, Moss Galleries, Portland, Maine.
2022
Seeing Like an Artist, What Artists Perceive in the Art of Others, by Lincoln Perry,
Godine Press, Boston. ( Featured in the chapters: An Epiphany in Munich and Multiplicity).
2021
Artcritical, Ironic Realism: The Larry Day Retrospective in Philadelphia, (December 16).
Art Review City, Q and A with David Carbone, April 27.
Artcritical, Intimate Immensity: Maria Helena Viera da Silva , (February 10).
2020
JoAnne Carson: Rise and Shine, JoAnne Carson:Tracing a Gardener's Path, The Opalka Gallery, Sage College, Albany, NY
Artcritical, In the Company of an Estatic: Hyman Bloom in Boston, (February 14).
2019
Bruno Civitico: 40 Years of Figure Drawings, Bruno Civitico's American Classicism, The Bo Bartlett Art Center, Columbia, GA
Arion, A Journal of Humanities and the Classics, An Epiphany in Munich, by Lincoln Perry, Spring/Summer issue. (Profiled and quoted).
2017
The Art Newspaper, quoted in: Obituary: Vito Acconci, by David D'Arcy, June 2017, page 70.
Hyperallergic, Timothy Hyman's Alternate View of Figurative Painting in Art History, March 25.
2015
The International Review of African American Art, Lifting the Fog, (on Norman Lewis 1946-52), pp. 19-21,Vol. 26 No.1 [The editing of this piece mis-identified a key work discussed, in MOMA's collection as as City Night (1949), when it was another, Untitled (1949). They also made a mess of my notes.]
Artcritical, Standing in the Shadows: On Seeing Andrew Forge and Hearing Morton Feldman, (August 14).
2014
Arion, A Journal of Humanities and the Classics, An Epiphany in Munich, by Lincoln Perry, Spring/Summer issue. (Profiled and quoted).
2017
The Art Newspaper, quoted in: Obituary: Vito Acconci, by David D'Arcy, June 2017, page 70.
Hyperallergic, Timothy Hyman's Alternate View of Figurative Painting in Art History, March 25.
2015
The International Review of African American Art, Lifting the Fog, (on Norman Lewis 1946-52), pp. 19-21,Vol. 26 No.1 [The editing of this piece mis-identified a key work discussed, in MOMA's collection as as City Night (1949), when it was another, Untitled (1949). They also made a mess of my notes.]
Artcritical, Standing in the Shadows: On Seeing Andrew Forge and Hearing Morton Feldman, (August 14).
2014
Artcritical, One-Two Punch: Stanley Lewis at Betty Cuningham (September 21).
Culture Catch, A Gallery Ramble under Darkening Clouds, on Philip Pearlstein, Robert DeNiro, Sr., Hannah Van Bart, Venske & Spanle, Ken Price (with Elizabeth Stevens, August 7).
Artcritical, Sensuous Orgies of Luminous Writhing Paint: Chaim Soutine's Still Lifes (May 8).
Culture Catch, Holiday in the Sun…or on Mars, on Kate Gilmore, Michael Zansky, Domenick Lombardi, Beverly Fishman, Ad Reinhardt, (with Elizabeth Stevens, January 8).
Culture Catch, Germaine Richier: The Return of a Shape Shifter, (June 6).
Culture Catch, Holiday in the Sun…or on Mars, on Kate Gilmore, Michael Zansky, Domenick Lombardi, Beverly Fishman, Ad Reinhardt, (with Elizabeth Stevens, January 8).
Culture Catch, Germaine Richier: The Return of a Shape Shifter, (June 6).
2013
Artcritical, Cats and Girls: Roundtable on Balthus at the Met (edited by David Cohen, with David Cohen, Duncan Hannah, Denis Kardon, Christina Kee, Vincent Katz, and Nora Griffin, December 23).
CultureCatch, & NYARTS, Trick or Treat, on Peter Saul in Tumescence, Natvar Bhavsar, Yves Klein in Audible Presence, Jenny Morgan, and Julie Heffernan (with Elizabeth Stevens, November 9).
Artcritical, Super-Sized and Compromised: Balthus at Gagosian (November 9).
Culture Catch, September is like a Box of Chocolates ( on Pizza Time, Hyman Bloom, 1940-2005, Nan Swid, Rosemarie Fiore, Barbara Takenaga, and Gene Davis) (with Elizabeth Stevens, September 26).
2011
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2010
A Delicate Poignancy: Langdon Quin’s Paintings, 1990-2010, catalog essay for the retrospective exhibition: Acts & Memory: Paintings by Langdon Quin, Museum of Art, University of New Hampshire, Durham, NH
2009
The Sienese Shreder III, John Graham’s Apostasy, essay, New York.
2008
Gabriel Laderman: Unconventional Realist, a selective retrospective, Gabriel Laderman: An Unconventional Realist, catalogue essay, University of New Hampshire, Durham, NH.
The Sienese Shredder I, Tracing Giovanni’s Shadow, essay, New York.
The Sienese Shredder I, Tracing Giovanni’s Shadow, essay, New York.
2007
The Sienese Shredder I, On Seeing Nadelman’s Standing Male Nude, essay, New York.
Berkshire Fine Arts, Edwin Dickinson, Painter of Constant Sorrow: Review of Dreams and Realities, August 31.
2005
Perception and Invention: Three Generations of Figurative Artists, Perception and Invention: Four Painters Talk About Figurative Art, catalogue essay.
2003
Modern Painters: Edwin Dickinson: A Transcendental Vision (Fall).
2002
Paul Resika: Between Boats and Triangles, essay in Hackett-Freedman Gallery catalogue.
London Arts Café, a magazine on urban art and architecture, essay, Returning Home (9/11) (Fall).
Modern Painters, The Return of the Mad Mahatma [on Louis Elschemius] (Winter).
2000
London Arts Café, a magazine on urban art and architecture, essay, Returning Home (9/11) (Fall).
Modern Painters, The Return of the Mad Mahatma [on Louis Elschemius] (Winter).
2000
Modern Painters, Quoted in article, Leonardo's Ghost: 'The Last Supper, peeled', By Trevor Winkfield, Modern Painters, autumn.
1997 Modern Painters, The Subject Matter in View [on Barnet Rubenstein] (Autumn)
Tatistcheff and Company, Inc., Gabriel Laderman's New Works, catalog essay
Hackett Freedman Gallery, Alfred Russell: Painter of Panic, catalog essay
1996
Quoted in article, Pop Corn: Art goes to the Movies by David D'Arcy, Art and Auction (October).
1992
Art and Antiques, Alfred Leslie at Barbara Flynn (April)
1991
Art and Antiques, Carlo Maria Mariani at Hirschl & Adler Modern (January)
Art and Antiques, Eugene Leroy at Edward Thorp (March)
Art and Antiques, Susanna Jacobson at Washington Depot (April)
Art and Antiques, Jim Nutt at Phyllis Kind (September)
Modern Painters, Alfred Russell (Fall)
Art and Antiques, Eugene Leroy at Edward Thorp (March)
Art and Antiques, Susanna Jacobson at Washington Depot (April)
Art and Antiques, Jim Nutt at Phyllis Kind (September)
Modern Painters, Alfred Russell (Fall)
1990
Art and Antiques, Francis Bacon at the MOMA (September)
1986
Provincetown Arts, Artist’s Statement (Fall)
1982
Boston Now: Figuration, Institute of Contemporary Art, Boston Catalog Artist’s Statement
1980
Antaeus (Autumn, Issue 39), The Field Beyond Chassy, Balthus’ Grand Paysage Aux Arbres.
Art New England, Barnet Rubenstein at Alpha Gallery (November).
Art New England, Barnet Rubenstein at Alpha Gallery (November).
1979
Annex Press, Extended Credentials, an essay on conceptual artist Jay Jaroslav,(Ann Arbor, Michigan).
1978
Arts Magazine, James Weeks Retrospective (April).
